We're thrilled to announce that the Coney Island History Project is extending its 2024 exhibition center season past Labor Day Weekend in celebration of our 20th anniversary year! The exhibition center will remain open free of charge on Saturdays and Sundays in September and October as well as the October 14th Italian Heritage/Indigenous Peoples' Day holiday. Hours are 1-7 PM in September and 1-6 PM in October. Special events TBA in October. We're located at 3059 West 12th Street, next to the West 12th Street entrance to Deno's Wonder Wheel Park, just a few steps off the Boardwalk.

Visitors can view historic artifacts, photographs, maps, ephemera and films of Coney Island's colorful past. You’re invited to take free souvenir photos with "Cy," the mesmerizing Spook-A-Rama Cyclops, and Coney Island's only original Steeplechase horse from the legendary ride that gave Steeplechase Park its name. Our rarest treasure on display is Coney Island's oldest surviving artifact from the dawn of the "World's Playground." The 1823 Toll House sign in our collection dates back to the days when the toll for a horse and rider to "the Island" was 5 cents!

The beautifully restored motor yacht Nellie Bly operated by the Coney Island Steamboat Company is ready to give nautical tours.

Coney Island native Gerard Thornton has returned to his roots and launched the Coney Island Steamboat Company, based in Sheepshead Bay. Beginning Saturday, July 13, the Coney Island Steamboat Company will offer narrated history cruises along the Coney Island shoreline, from Sheepshead Bay to Gravesend Bay. 

Captain Thornton grew up in Coney Island’s O’Dwyer Gardens housing project (where I once lived) and spent his childhood watching ships and tugs at sea from his window. This fascination led to SUNY Maritime College and a thirty-year career as a tugboat captain in New York Harbor. After selling his tugboat company, Thornton Towing and Transportation, he has realized his dream of giving nautical history tours of Coney Island and Jamaica Bay. Listen to Gerard Thornton's oral history

The tour boat is a 50-foot wooden motor yacht named the Nellie Bly. The boat can accommodate up to 49 passengers. A ticket for the two-hour tour is $35 for adults and $25 for children. Veterans and seniors are $25. The tours are available Saturday and Sunday at 11 am and 2 pm. Later in the season there will be fireworks cruises on Friday night and following Cyclones games. 

Thornton named the boat Nellie Bly, in tribute to the adventurous muckraking journalist who exposed horrific conditions at the women’s insane asylum on Blackwell’s island. Bly’s 1889 trip around the world in 73 days beat the fictional account of Jules Verne’s novel Around the World in 80 Days. The boat’s name is a fitting tribute to an early pioneer of women’s rights.

"Coney Island has a remarkable and rich history," said Captain Thornton. "The Coney Island Steamboat Company (CISCo) was established to bring the sights, sounds, and history of the Brooklyn waterfront to life for passengers looking for something a little bit different. Our tours provide narrated backstory to the geography, politics and personalities that shaped the neighborhoods of Coney Island and the surrounding area. We offer a fun and exciting way to explore the southern Brooklyn shoreline in a whole new way." The Coney Island History Project will be collaborating with the Coney Island Steamboat Company to provide archival materials for the tour.

Tickets and information at: www.coneyislandsteamboat.com

-- Charles Denson

Captain Gerard (right), deckhand Tyler (left), and Thornton's son Gage (rear), aboard the Nellie Bly.

Coney Island History Project director Charles Denson was recently invited to participate in a fascinating new exhibit at the New-York Historical Society titled Lost New York. The exhibition “explores the landmarks, vistas, pastimes, environments, monuments, communities, and modes of transportation that once defined this city.” Preserving pieces of a vanishing past is the theme, and on display are a treasure trove of artifacts and artworks from the museum’s vast collection. Denson was invited to write a panel relating to the lost natural environment of Coney Island as illustrated by 19th century paintings and photographs. “My panel explains that sometimes what was lost in the past can be restored if there’s public awareness and advocacy." 

According to Denson, “Chief Curator Wendy Nālani E. Ikemoto has a unique vision regarding the complexities of New York City history and has paired each object in the exhibit with stories by contemporary New Yorkers.” There are more than 100 objects in the show that define New York’s past, but also show the importance of landmark preservation. Lost New York is on display until September 29, 2024.

"Watch Her Dance to the End of Love," Benny's storefront on West 12th Street. Photo by Charles Denson.

By Charles Denson

A phone call from Benny always began with a private joke: “Charlie, tell me what’s new in the World’s Playground.” A bit of irony. The amusement world that Benny had known all his life was fast disappearing. He was old-school and didn’t follow Coney Island politics or gossip. Our long conversations took place in the off-season, when things were quiet. During the summer Benny worked his games 12 hours a day, seven days a week, and had no time to talk. He stayed focused on his little world on West 12th Street. 

After years of trading stories, I asked if he wanted to record an oral history. He said, “When I’m gone you can tell my story.” We recorded over several years. No one else could better express the ups and downs, the joy and despair of working and living in Coney Island. He had many lives, a survivor in a sometimes cruel world. You can listen to Benny Harrison's oral history here: https://www.coneyislandhistory.org/oral-history-archive/benny-harrison

Benny was a quiet, well-read contrarian: shy, elusive, creative, brilliant, a sweetheart who was difficult to pin down and always absorbed in a heavy book about world history, architecture, or philosophy. He liked silly jokes and puns and spoke in riddles. He was a quiet genius always inventing, building, restoring, or repairing mechanical devices in his cramped, tiny shop behind the games. He enjoyed making people smile by providing unusual tableaus, signs, displays, prizes, toys and tricks, things like the dancing marionettes that no one else offered. Objects remembered from childhood.

In 2011 the Coney Island History Project moved to Deno’s Wonder Wheel Park and the following year Benny left Jones Walk when the Vourderis family gave him the space next door to ours. We became twin attractions on 12th Street! His stand was bright and colorful. Next to his Skin-the-Wire game were two of Benny’s idiosyncratic creations: the mechanical Dancing Girl (Miss Coney Island) and the adjacent animated Coney Island diorama portraying a happy miniature world.

The Dancing Girl danced to unusual tunes chosen by Benny: sometimes reggae but usually the Australian bush ballad “Waltzing Matilda” or the sentimental version of “Over the Rainbow,” by Hawaiian singer Israel Kamakawiwoʻolei. Both attractions can still be played for a quarter, something unheard of in Coney Island. A small sign says that you can "fall in love" for 25 cents. He later added the cute mechanical kitten and puppy that dance and wiggle below Miss Coney Island’s feet. The Dancing Girl has thousands of friends who come to visit and dance with her each summer. 

The signs above Benny’s games are often a source of bewilderment: “Watch Her Dance to the End of Love” a reference to the Leonard Cohen song, “Dance Me to the End of Love.” “Coney Island Always” is the optimistic sign that hangs above a lively miniature animated Coney Island window display. And of course, “Don’t Postpone Joy.”

In his final years Benny still came to work while recovering from cancer, heart disease, and a series of strokes. Benny never took the simple path. He was still building, repairing, and restoring his own games while also helping solve mechanical problems for others. Some of his games were overly complicated puzzles. He’d sit back and watch customers try to figure them out. The games were fun, but not big moneymakers, and sometimes it seemed that he was building them just to amuse himself. 

Benny had a hard life. He grew up in Coney Island during the 1940s and 50s, and at the age of 12 began working in his father’s candy factory. His father died young. He was a gambler who lost the family business in a card game, plunging the family into poverty. Benny and his mother wound up living in a one-room apartment in Sea Gate while trying to pay off his father’s debts.

Benny continued in the candy business as a teenager with a stand at Feltmans Restaurant that he and his mother operated. When Feltmans closed, they became Astroland’s first tenant. During the park’s construction, Benny had two cotton candy machines on a plywood box, painted red and white, powered by an extension cord reaching from a nearby restaurant. Business was conducted over the fence.

Benny's hexagonal stand in Astroland, c. 1963. Photo © Coney Island History Project

In 1963 Benny hired an architect and commissioned a new stand, a hexagonal structure just inside the entrance to the park. Benny worked at the new store while studying engineering at Hunter College night school, where he had enrolled at age 17. The following year he was drafted into the Army.

Benny hated the Army and took an exam for Naval Aviation at Floyd Bennett Field and received high scores. The draft board sent him to the Navy Aviation Electrical School in Jacksonville, Florida, for training in building jet plane control systems. This is where he learned the skill for building animated figures and robotics. He learned to build games by working on military fighter jets. Benny remained in the Navy reserves for six years while working in Coney Island and expanding his numerous businesses. 

During the 1960s Benny began buying up Coney Island property. After Astroland expanded, he was forced to demolish his hexagonal stand, but opened two soft ice cream stores in the park. He purchased several distressed properties, including the old Shore Hotel on Henderson Walk at Surf Avenue. On the day that the sale closed on the hotel, the FBI stopped Benny from entering the building as they were arresting a fugitive from their 10 Most Wanted list who was living upstairs in the hotel. A week later the hotel manager had a stroke, and Benny found himself running a hotel. From there it went downhill.

Benny bought and later lost the Shore Hotel on Surf Avenue in the 1960s. It was demolished in 2011. Photo by Charles Denson.

Next, he bought a one-story structure next to the Popper Building (now a shooting gallery) and opened a colorful storefront selling candy apples, popcorn, frozen bananas, ices, and taffy. Benny developed new candy products such as a caramel coconut popcorn that became quite famous. He used antique machines with heavy brass molds to produce all kinds of sweets.

Benny's candy store on Surf Avenue in the late 1960s. Photo © Coney Island History Project.

Benny operated successful businesses at both locations only to lose the buildings and businesses due to a failed marriage and brutal divorce. Later, the owners of these properties would make millions by selling them during the Coney Island rezoning.

Benny started over with a variety of games. He teamed up with game builder Charlie Walker and opened a small machine shop. He also ran a printing business and traveled to flea markets and fairs selling lithographs and toys. He built penny pitches, fishing games, shooting galleries, boxing puppets, carnival wheels (one of which wound up in the movie Goodfellas), and every kind of game imaginable, all with a twist, a Benny signature of sorts that made them unique. 

Coney Island became violent in the 1970s, and it was risky to operate open games. Ride booths were attacked, and buildings were vandalized, burned, and burglarized. The Homicides street gang broke into Benny’s Boardwalk store and stole most of his equipment. He also lost several dozen antique mutoscope arcade machines that were in storage, machines that now sell for thousands of dollars each. 

Benny in his shop repairing an antique arcade machine from the 1920s. Photo by Charles Denson.

Eventually Benny wound up on Jones Walk, in a stand that Jack Ward owned. His neighbors were his sister and brother-in-law, Dinah and Wally Roberts. Wally owned the historic Grashorn Building on the Walk and gave Benny a space upstairs to use as a shop. Jones Walk was alive and thriving with all kinds of games until the rezoning of Coney Island in 2009, when all the properties changed hands. Jones Walk would never be the same, and the future became bleak for the small independent businesses that once operated there. 

Benny would have gone out of business if it weren’t for the kindness of the Vourderis family, owners of Deno’s Wonder Wheel Park. He reopened his games and a small shop in the space below the kiddie park. The store was soon filled with prizes including marionettes, jewel boxes, and a million toys. Everyone who played the games got a prize, win or lose. Benny was able to enjoy another decade of intrigue in the heart of the World’s Playground. 

Benny Harrison died on March 11, 2024. He was cared for and looked after by his friends who worked with him and loved him and put up with his nonsense. With his passing went a way of life that is slowly coming to an end. Benji, you will be missed.

You can listen to Benny Harrison's oral history here:  https://www.coneyislandhistory.org/oral-history-archive/benny-harrison

Benny contemplates the crowd at his stand during the Mermaid Parade. "They don't play the games," he lamented, "they only drink!"  Photo by Charles Denson